http://www.youtube.com/watch?v=WsPzEmnaSkQ&nofeather=True

• The commercial begins with a shot of a dark gloomy European subway station. The station looks clean and the people waiting for the trains appear to be wearing clothing that would indicate that it is warm outside. The station is not overly crowded but contains enough people to lead the audience to believe that it is most likely a weekend and people are not working.
• The scene switches to a clear shot of a young boy looking down at the floor. The camera is clearly focused on him as we see passengers boarding in the hazy background. The child appears to be around the age of 10. He is wearing a simple plaid brown button down and his hair is cut modestly. Again, we see that the subway is not brightly light leaving the audience to feel an eerie chill.
• The boy turns to look at the family of three that is boarding the train as the camera focuses on the family. The mother is wearing a simple slightly over the knee, spaghetti strapped cotton dress. The father is wearing jeans and a plaid short sleeve button up. Our eyes are immediately drawn to their  blonde daughter who also seems to be no more than ten years old. She is wearing a short red dress with white polka dots and her hair is modestly pulled back.  As her parents hold on to the hand rails above, we notice that she holds on to the pole in front of her.
• The boy looks at her and gives a soft smile as he leans forward in his chair toward her direction.
• The girl returns the smile as she shyly presses against her father. She leans into her father as any young child would do when seeking shelter and comfortability.
• The next scene shows the lights above the train. The lights are dark and begin to brighten as if a stage is being light.
• Then we seen the young girl grip the metal pole in the dim lighting. The music builds in softly in the background. We see the girl, her hair is down and she spins around the pole and drops to the floor with the pole in between her legs. The lights flicker as to imitate what strobe lights would do in a club.
• The girl rises with her hips sensually moving. The camera takes a direct shot of her rear end as she pokes it out in the boys direction. Her dress is so short that you can nearly see her lady parts.
• Her mother and father both are looking at her as she is doing this. They both have a look of disgust and humiliation.
• The lights continue to flicker as she spins around the pole. Her hair is messy. She looks at the boy and flashes him a smile that says “do you like what you see?”
• Her back is against the pole as she is full on facing the boy. Her arm is raised holding the  pole as she slides down never breaking eye contact with the child. Her parents are in the background watching her.
• We see the classic hair flip as she sexually rises. The music in the background has no words but the beat is contributing the her sexual dance.
• Again, she slides down the pole, this time with her face pressed against it. Never breaking eye contact. She erotically rubs her leg and brings her hand nearly to her inner thigh. There is wind that seems to be coming from no where blowing her hair back as if it were some sort of Beyonce music video.
• She gives the pole one final spin around as her parents and other train passengers watch. The lights are brightly lit at this point insinuating that her display is nearly finished.
• We see her hide behind her father is if again seeking shelter and comfortability from her erotic dance. Her eyes are wide as she looks around the train as if she were taking a consensus of how many people saw.
• The screen goes black and the words “Don’t let your child be educated by TV!” appear.